String quilt for a college friend who had a rough year. The blocks were contributed by 15 or 20 people and I volunteered to assemble it. I didn't want to put any pictures anywhere until she'd received it, though.
This was super easy, fast, and came out great, so I think I'll end up making one for myself. You sew strips onto a lightweight fabric background, so it's a great block for group projects--people can contribute even if they're not experienced at sewing, or at quilting. They don't need to be able to appliqué or to piece neatly. They just have to sew a straight line.
It's heavy because of the backing on the blocks; this one is lap sized and has a worn-out flannel sheet for batting, which is kind of all it needs. Machine quilted, but I think these are often tied.
Nice tutorial on Craftsy.
Wednesday, February 22, 2017
Friday, February 17, 2017
Friday, January 27, 2017
I might do a tiny FBA but, mostly, it fits well.
Also found some raisin-colored cotton to do an apron, just because:
Tuesday, January 17, 2017
So, a couple of years ago, I made Simplicity 9778 (1971), a long, yoked, Mother Hubbard-style dress with a V-yoke and band collar.
I loved the weird green Concord floral:
But failed to trust my instincts about the improperly-drafted collar, which was drawn and cut as a straight band and sat around my neck like a section of pipe (it looks better here than it looked and felt in real life):
Plus, the bulk of the dress bunched up in weird places as I walked. I sewed some darts in the back waist, which helped a lot, but . . . eh, I still wasn't wearing it.
I had some scrap left and lucked onto an additional yard on eBay, so I cut off the "skirt" (well, the lower half, since there is no waist) and started fitting the bodice for Butterick 4888 (1977-1978), a slightly later prairie wedding gown. Yes, with apron. Psychoanalyze that.
(I already had fabric to make another version of this so it was going to have to be worked on at some point. The other one will be gray chambray with long sleeves and buttons up the back.)
I needed a bust 34 + a small full-bust adjustment (Seventies patterns seem to run flat) + a little width added to the upper back. My copy of this is a bust 36 so I decided to try cheating and just taking in the shoulders, and maybe the waist, although I didn't want it super fitted.
Then I did my usual lengthening of the bodice and lowering the bust.
I think I've gotten away with it this time:
I salvaged the sleeves from the first dress. There is a bit of a dye lot mismatch but I'm not going to worry about it.
I also found raisin-colored Moda solid to make an apron, just because.
Wednesday, January 11, 2017
Wednesday, January 4, 2017
Tuesday, December 27, 2016
Free Ravelry download here.
Thursday, December 15, 2016
Alas, the Vintage Club is way out of my price range, but I can manage the Stablemate Club. I've signed up again for 2017. I hope they do fewer glossies--they're nice, but they're hard to photograph and not all of us are into that. I know the first 2017 horse, Coco, will be glossy, though.
The big deal for 2016 was the #6 horse, Django: A dark-bay tobiano on a new standing Friesian mold. A lot of people got them with bent ears but I was fortunate yet again: Mine is fine.
Sigil (Alwyn [Friesian] x Bega [Dutch warmblood, by Art Deco]) 2017 dark bay tobiano Friesian sport horse stallion:
I need to work on my lighting--the shadow behind the horse spoils the illusion of space between the model and the backdrop. Not too bad, though, for an iPhone shot with a desk lamp.
Wednesday, December 14, 2016
Monday, December 12, 2016
Tuesday, November 29, 2016
I was worried about the binding on the bricks quilt looking like an afterthought and considered binding it in plain red or maybe a dark-green mottled mixer print. I like scrap bindings but I didn't want it to be obvious that none of the prints that are actually in the quilt were available for the binding.
Or . . . not.
I went through Mom's last-chance scrap bin and found--I am not kidding--2 1/2-inch strips of calicos that are in the quilt. Yes, she still has scraps of them, thirteen years later. And she had exactly enough for a binding.
Check it out:
Binding applied to the front, and the extra batting cut away:
These barrettes tear out my hair but they're fantastic for quilt bindings. You can buy packs of plain ones at sewing shops but I have a bunch left over that I don't use any more.
The binding from the back (note: The border is not quilted yet. Normally, you'd quilt the whole thing before binding it but because this quilt is so small it's not such a big deal):
The first finished corner:
Monday, November 28, 2016
OMG I started this, no joke, at least twelve years ago. I finally got all the bricks quilted. Finally. It's not large--about 24 x 32--so I can't justify it taking that long, but there it is.
I'm going home tonight to put a binding on it and mark the border quilting.
Wednesday, November 16, 2016
This is a quick side project. I'm still tweaking this pattern. I reconfigured the waist tucks and lowered the applied belts to basically the "real" waistline (belly button height). The fabric is Exclusively Quilters Paloma black-on-black bird and vine print; I got it on clearance as a bolt end and I love the design. Black lace trim on the hem, armscyes, and bound neckline. I'm almost done--I just have to sew on one more button, cut the buttonholes, and do a little seam finishing.
Applying the lace to the hem:
Hem faced with plain black bias:
Black faux-glass (i.e. sparkly plastic) faux-Victorian buttons at the waist:
Armscyes and bound neckline with lace trim:
Wednesday, November 9, 2016
Monday, November 7, 2016
I did not get my act together fast enough to have a vintage-style pantsuit ready for Election Day. I've only ever done one pair of badly-fitting scrub pants, and I can't muscle my way up that kind of learning curve in three days.
I do, however, have simpler dress patterns and patriotic fabric from which to sew them.
I bought the Marcus Brothers Betsy Ross blue flags fabric four or five years ago and bounced it around, conceptually, among several 1940's housedress patterns. I think it was actually part of one of their Civil War-inspired lines but whatever.
Sometimes you just need a push to force you to get started on a project, though, so I bit the bullet and pulled up Hollywood 1089 (1944), which was chosen because a) it was a 1940's housedress, b) I'd already fitted DuBarry 5612 (1943) and thus had another princess-seamed pattern to which to compare it, and c) it was my size and didn't need to be graded, though it would need fitting.
I estimated the needed fit tweaks in the process of tracing it: Lowered bustline, added upper back width, added hip width, slight FBA. The waist height measured OK so I decided to risk it.
The first muslin needed the FBA undone but otherwise fit well (OK, it fit well when I wasn't wearing it over street clothes for the sake of decency. Just trust me on this):
I'm using navy rick-rack for trim and recycled peacoat buttons at the waist instead of ties.
So I have to go home tonight and hem, trim, and set the sleeves; set the pockets; do the bound buttonholes and set the buttons, and hem. Fingers crossed!
Wednesday, September 28, 2016
I opened the Simplicity.com site a couple of weeks ago and, lo and behold, saw this:
This looks familiar! I have that pattern!
Well, I have that pattern's grandmother, Simplicity 1866 (1946):
I just cleared out a huge box of patterns and I'm trying
I suspect we'll see a bit of a shoulder-ectomy. 1946 was the height (no pun intended) of the Joan Crawford shoulder, and it's not a look that those of us who survived the Eighties are anxious to repeat, nor is it very comfortable.
Wednesday, September 14, 2016
My parents are getting ready for a road trip and I promised Mom I'd help her make up some pillowcases to give as gifts. I figured since I was doing that, I'd make up the ones out of fabric I'd been saving for myself, too. Mom's are done; I just have to finish the cuff ends on mine.
Total: 21 pillowcases.
I finished hers last night, including this rather spectacular one from Robert Kaufman Effervescence:
I cut off the end and used it to line the open end so I wouldn't have to fold the edge print over:
For Mom, I made: 1 pink fairies, 1 Hallowe'en cats, 1 space men, 1 owls, 1 candy corn, 2 loons, and the Effervescence.
For myself: 1 Midcentury cars flannel, 1 sharks flannel, 1 zebras flannel, 1 folk art birds flannel, 1 sharks cotton, 2 sunflowers, 3 autumn leaves, 1 gourds, 1 constellations flannel, 1 ghost cats flannel, and 1 minerals. I'm waiting on another piece of fabric in the mail, too. Whew.
I'm taking some time off next week. Rhoda goes in on Monday for a spay, and Wednesday I'm taking a road trip up to East Texas to pick up some model horse stuff that a friend needs to unload before she moves.
Thursday, September 1, 2016
Nope, too short.
I like the idea of it, though, so I'll get a yard and a half of homespun this time, scrap the first effort, and try again.
Tuesday, August 30, 2016
No pix. Turns out it's a lot harder to sew with two cats around than it is to sew with one. Shocker.
I started the neck last night but it took me two hours because of Rhoda. OMG, Rhoda. So cute but such a little imp.
Friday, August 19, 2016
I got impatient and started one of my staycation projects early.
I made this before in white Kona and it worked pretty well but there were some minor fit issues and I didn't keep it (I'll probably make it again if this version fits better). So I got it out the other day and added some back width and neck darts, and did a small FBA. Seventies patterns are so flat.
I have one yard of green gingham homespun. I think I can make this work if I make it sleeveless and collarless and probably a bit shorter than the photo suggests:
Eh. But closer:
Upper back width, rotated to neck dart (this is a rough draft. I need to fix the shoulder line):
FBA with bust dart rotated into the shoulder gathering (also a rough draft. these will be retraced):